THE WINTER BORN circa 1984

(author's note, this is my first attempt at a longpoem. It was the basis for my later work Fear of Butterflies)

To have humanism we must be convinced of our humanity. As we move further into decadence this becomes more difficult. --Thomas Pynchon

Tradition is only the history of failure.
As things happen world is and we are not
the rapid color or unfinished stanza. We swing
around loose trees as they swing
in earth's cadences. Here it is, I said,
here are the dancers naked around the trees
and us. They could dance with pieces of world
and we could cross the living room.
In transparent time it snows everywhere, I said,
as it was snowing when we held
watch to our children's faces.

        She reaches for an apple in winter.
        She cannot be disturbed. I recall snow
        and it returns for this occasion, but it
        does not fall, it cannot
        retrace the steps of our descent.
        I think of you in her place;
        I think of you in my place
        with vines purely wrapped around our nervous
        systems. She jumps away. She is
        standing now smaller with the streetlight
        and sleeps in counterpoint to our divinations.

              Hanson the Clown is sleeping
              in a world whose earth
              is only a passing fancy. He stumbles
              through our lives finding his heart
              under the bleachers. He is spotlight
              and is buried along with our illuminations.
              We, you and I, see him not
              as a tornshirt mannequin of our generation;
              lime burning behind us, we are only to him
              a regiment of tightrope walkers, changing little
              while they move from ring to ring.

I hold my watch to a child's face.
I hold your eyesight with the watch between.
A wheel too familiar turns through
a blue line of sky. You are gone.
Now the world outside loads language on the wheel
and it turns to a poem no one had written.
Like an arrogant ballroom with music,
no one's poem is white to the air
as it is rewritten. There you are, I said,
and you stand behind the last hedge
to copy what everyone would copy.

      She wakes and walks aloud
      to the first window as light
      disappears into light. She is trusting
      the passionate fading of stars
      and is alone as the sun is alone
      with night behind. She is thinking
      morning as it opens
      under the street's blunted light.
      She is seeing weather start around her.

           We are moving from ring to ring.
           he is moving through us, lives
           within his red circles around his sight
           of us. He sees through a series of wires
           patches and randoms
           of greasepaints we would imagine
           and cannot. Hanson thinks
           and those thoughts become the accusations
           we could live with. He is thinking
           as it rains through the parking lot.

I copy what you might copy.
You tell me of a quiet accident,
an accenting of words found at best
near the bookstore. I said
Why is there a foreign world. Why
is there earth and air, water and fire,
and a distinction of relationships?
Why do they sleep under automobiles? You said
Look at us in this angle of candlelight
through the large window.
Look at us looking at the others.

      Arrogance of a neutral color
      weather of various origin and she
      stands on the sidewalk
      to hold them together. She is imagining
      us, thinking that we would think
      not of her and her incarnations of light
      and dark around our primal world.
      She is dreaming and we dream for her
      a world without cacophony
      on an earth without geography. Here it is,
      here is the setting for your current life.

        Winter comes to Hanson to find him
        with the family. He is drinking again,
        they would say and not
        like a family but like a group of
        fish, swimming away from the dead
        mackerel. He is drinking. The circus closed
        down years ago and he
        cannot dress for the occasion. He cannot
        think and not think of their limitations
        and his here, under the angels
        of Weinachten. he is drinking.

Why are you afraid of the window
you said. Why are you not looking
at others whose lives are certainly
interesting. Look at the way she decorates
the tree, not like a tree, but a winter
away from her, a winter without evening
but night. Here it is, I said,
here we live and not live
in various living rooms. Here.

Tradition is only the history of failure
we'd say, and look to the outside.

MEETING PEOPLE circa 1974

(author's note, this was my first published work from when I was in high school)

We wave at others
Apologetically. The harm that lives
With us, like a promise of sleep
And good money, stares off into the blue air
While nightmares become,
For the six-year-old behind the wall,
Home for darkness
And this life. We walk into the ground. Others
Cannot follow us home
And do. We must have met there.

The wind becomes warmer
And Wednesday spreads over the airplane
While down here eyes turn toward the echoes above
And are happy. Maybe
Winter will end soon, with
Explosions of color where the dead stood
Afraid of something. The whispers on the parking lot
Become the only framework to run from.